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Park Ok-ryun, 89, who said she was forced to become a comfort woman by the Japanese military during World War Two, sits in her room at a comfort women's shelter "The House of Sharing" in Gwangju, about 40 km 25 miles southeast of Seoul, June 23, The U. House Committee on Foreign Affairs will vote June 26 on a resolution demanding that Japan accept historical responsibility and apologize for the comfort women issue, a committee official said.

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Extreme cinema is a genre of film distinguished by its use of excessive violence, torture, and sex of extreme nature. The rising popularity of Asian films in the 21st century has contributed to the growth of extreme cinema, although extreme cinema is still considered to be a cult-based genre. Being a relatively new genre, extreme cinema is controversial and widely unaccepted by the mainstream media.

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Asian cinema has entailed extreme films, almost since its conception, incorporating themes and concepts that, at least to the eyes of individuals in the West, seem improbable. Japanese filmmakers are the definite masters of the style, mainly due to notions resulting from the atomic bomb. However, there is representation in the field from Korea and Hong Kong as well.

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Ghost movies and shows can fall into a wide range of genres, including romance, comedy, horror, juvenile interest, and drama. Depictions of ghosts are as diverse as Casper the Friendly GhostBeetlejuiceHamlet's fatherJacob MarleyFreddy Kruegerand Moaning Myrtleas well as the traditional spectral spirits and other bumps in the night. With the advent of motion pictures and television, screen depictions of ghosts became common and spanned a variety of genres; the works of ShakespeareCharles Dickens and Oscar Wilde have all been made into cinematic versions.

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Just in case you didn't know, Asian horror puts American horror to shame, so it's time to broaden your horizons. But Should Anyway. Considering that South Korea didn't start churning out stellar horror films until the late '90s, their genre domination is well-deserved and nothing short of remarkable.

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Monster movie crossovers are usually a sign of a moribund franchise, but this Ring v Grudge combo is livelier than you would expect. Students get voice mails predicting their own violent deaths — which duly come to pass, although not without some black humour and a spooky vintage ringtone. Director Takashi Miike plays by the J-horror rules, more or less, but it all flies off the rails in a bonkers final act. Yakuza hitmen bury the corpses of their victims in a place called the Forest of Resurrection.

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Click on all images to enlarge. The opening decade of the 21st century has proven to be a memorable one for the East Asian horror industry, which has emerged as one of the best if not the best sources of horror in the world in terms of both quality and creativity. For those who have grown tired of the mainstream American formula, there is much to enjoy when one explores the cinema of Japan and South Korea.

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